Employment Law and Compliance Plan Essay Example for Free

Employment Law and Compliance Plan Essay Atwood and Allen Consulting Bradley Stonefield Limousine Service Recruitment and Selection Strategies Recommendations Atwood and Allen Consulting Bradley Stonefield Limousine Service Recruitment and Selection Strategies Recommendations The Bradley Stonefield Limousine Service Company has been established to providetransportation to public. The first step is recruitment and selection of prospective new employees that will organize and man the business. The Human Resource Department must explore resources to find right candidates. Recruitment and selection team must addressing the job responsibilities and scope of work of each new position. The staffing process is normally divided into recruitment phase and the selection phase. Recruitment is the searching and attracting of job seekers and the selection is the part job seekers are chosen to get the offer to fill the vacant position. The Bradley Stonefield Limousine Service Company first step is planning human resource. Develop policies, system, procedure and goal setting and method of performance appraisal. Bradley Stonefield Limousine Service Company interviews should have standard company operating procedures and recruitment policies that take care of the recruitment process. These policy, systems, procedures were prepared and approved by Bradley Stonefield. It will be reviewed yearly to ensure compliance to new laws and new business environment or requirement. The Human Resource will periodically review and assess the current and futurehuman resource requirements.The Bradley Stonefield Limousine Service Company formal recruitment process begins when Bradley Stonefield decide or announce the start of the operation of his business. Look more:Â  google recruiting process essay Bradley Stonefield makes that decision because he will have to finance the whole endeavor or business. HR staff initiates the request and documentation. The recruitment request will be evaluated by Bradley Stonefield. He will take several factors in consideration in making his evaluation together with his HR staff. Among the factors he will have to consider are postings, the requirements, the financial constraint, and so forth. Once he approved the recruitment process it will be a go to implement. The job description and person specification is to be prepared by HR staff in consultationwith Bradley Stonefield. These will contain the details of duties and responsibilities to be performed by the selected individual. The Bradley Stonefield Limousine Service Company will advertise the job opening in major media of mass circulation and community service bulletins. The Bradley Stonefield Limousine Service Company will shortlist candidates for interview. If the applicant meets all the essential criteria defined in the job description the next process is the interview phase. The Bradley Stonefield Limousine Service Company will conduct a two part interview sessions two sessions for drivers. First is the personality, background, skillset interview, which is the preliminary interview. This also includes the authentication of driver’s license and drug test. Before the preliminary interview start, the candidates are required to fill application form. It will contain information such as the applicant’s personal biodata, job experiences, and reason for leaving previous employment. Successful candidates in the first interview will be required to come back for the second interview. Bradley Stonefield and HR staff will make decision who to hire. All candidates will be asked the same questions and will be presented the same situational scenario or event. All questions will be job related to determine the suitability of the applicant to the position being filled out, whether that is a limousine driver or customer service receptionist The Bradley Stonefield Limousine Service Company policies will serve as a guideline and administer the company employment process. The hiring procedure ensures that the most qualified candidates is selected. Bradley Stonefield uses a rigorous recruitment and selection process, which complies to the equal opportunity policy. The Bradley Stonefield Limousine Service Company recruitment strategies in vital in finding top talent. The recruitment strategies that are implemented by Bradley Stonefield Limousine Service Company are as follows: 1.) Recruiting through Internet. One of the advantages of using the internet is that it is easily accessible by anyone. 2.) Referrals. Recommended by friends, colleagues, acquaintances. 3.) Advertisements. Advertise job vacancies in the of newspapers great circulation. Again, it is extremely important that the selection process be evaluated regularly to verifyand confirm that the right applicants or employees have been selected or chosen. If Bradley Stonefield Limousine Service Company if the company has significant turnover in a given position, the process of recruitment and selection must be changed. People are a major component of any business, and the management of people (or human resource management, HRM) is a major part of every manager’s job. It is also the specialized responsibility of the HR department. HRM involves five major areas: staffing, retention, development, adjustment, and managing change. Together they compose the HRM system, for they describe a network of interrelated components. The HRM function is responsible for maximizing productivity, quality of work life, and profits through better management of people. Hiring manager, like Bradley Stonefield, must focus on recruiting activities aimed at attracting the right candidates for the job. Based on the needs and forecasts for future needs, Bradley Stonefield will need to direct his efforts toward the best option for recruiting the right candidates. For instance, focusing on traditional newspaper advertisements is appropriate for driver positions with the Bradley Stonefield Limousine Service Company. Selecting the right candidate requires identifying the specific skills, knowledge and qualities you seek and desire in a worker. This can pertain to the necessary skills and knowledge for the position itself, such as a specific degree or certification, and the desired personal qualities, such as a preference to hire employees with good moral and ethical standards. Other important parts of the selection process include conducting any necessary aptitude tests and conducting a thorough background check to ensure the employee meets the basic qualifications of both the position and the company.

Strategies Which President Lincoln used Essay Example for Free

Strategies Which President Lincoln used Essay All great speeches contain ingenious rhetorical strategies. It is a great way to captivate and relate the gist of it all to the audience. In his second Inaugural address, Abraham Lincolns purpose was to reflect on the ever-lasting Civil War and look forth to peace. His strategy is to convey his view with God as his witness. President Lincoln successfully achieves his purpose of contemplating the effects of the Civil War and offering his vision for the future of the nation, using meaningful rhetorical strategies. Lincoln understood there was no need for a lengthy address, instead a statement somewhat in detail of a course to be pursued seemed fitting and proper (4-5). He lets everybody know what to expect from his second oath of the Presidential office. He is direct and relevant. In the third paragraph he reveals the reason for the war, All knew that this interest was somehow the cause of war. To strengthen, perpetuate, and extend this interest was the object for which the insurgents would rend the Union (31-35). This metaphorical interest Lincoln refers to is the colored slaves localized in the southern part of the Union. This metaphor serves to re-collect the idea of the malice slavery has brought to the nation and how little the government has helped to put a stop to it. He interacts with the audience by proposing the authoritative scheme put forth by the Almighty God. Religion is his basis for his testimony, being his most apparent rhetorical strategy. He continues in his third paragraph with a influential biblical allusion, Woe unto the world because of offenses; for it must needs be that offenses come, but woe to that man by whom the offense cometh (50-53). This allusion refers to the offense America has committed, in providence of God, which brings the misfortune North and South has experienced. His clever parallelism, Fondly do we hope, fervently do we pray, that this mighty scourge of war may speedily pass away (61-63), serves to put emphasis on the magnitude of the problems war has brought forth and how crucial it is to cease. Lincoln uses inclusive rhetorical strategies to accomplish his purpose to reflect on the Civil War and offer his vision for the future of the nation, With malice toward none, and with charity for all (70).

Collaboration Between Architects And Artists Cultural Studies Essay

Collaboration Between Architects And Artists Cultural Studies Essay Architects and artists speak two different languages and think in different ways so what happens when they work together? Can an architect create a space that enhances and reveals the artwork designed within it? Can architects and artists collaborate together in one mission and produce an-art-piece-building? Can a building be artistically designed and at the same time able to function? The answer to the previous questions will definitely be yes. And numerous numbers of buildings and architectural projects prove that to be right. Art has become an approach that changed the practice of architecture forever. It has widened its possibilities and made it more open and able to communicate with humanity and the environment. This collaboration of the two different minds; architects mind and artists mind, can result with a product neither one could have achieved alone. Its a very common and big mistake to separate architecture from art, especially since that the history of architecture itself actually relates back to art school. Many people have forgotten that Michael Angelo, the Italian renaissance painter and sculptor, was the one who designed the Campidoglio in Rome back in the 16th century. Raphael Sanzio designed the Chigi Chapel of Villa Farnesina in the 16th century as well. And Villa Farnesina itself was designed by the Italian painter Baldassare Peruzzi. The history of architecture makes it clear to us that artists have long worked with architects to produce art for their buildings. It is like what once Dan Rice said There are three forms of visual art: Painting is art to look at, Sculpture is art you can walk around, and architecture is art you can walk through. Ever since the 19th century, during the Arts and Crafts movement when the modern age of architecture began, works of architecture started to possess some values of art in them. Architecture became institutionalized in the same schools that taught painting, sculpture and music. And in the early 20th century when the Bauhaus and De Stijl were the dominant styles of architecture the dialogue between architecture and art highly increased and it shifted towards a truly collaborative and integrated process. It is also important to mention that the Bauhaus movement was the beginning and the first start of the new modern approach we are living now. Therefore art carries a lot of influence in our architecture today whether you are aware of it or not. Some people find the matter puzzling. They start asking why we need this collaboration between architects and artists if architecture itself is a form of art. As a matter of fact architecture today is less of a form of art and more of a form of engineering. The past does categorize architecture under art but the present sadly does not. à ¢Ã¢â€š ¬Ã‚ ¦ It was not until the radically atomized academics of the late twentieth century that the confounding notion that art and architecture are categorically different professions was established. explained Kent Bloomer in his book The Nature of Ornament. Architecture and art share a lot of similarities. Architects create something out of nothing and so do artists. They both share the ability of transferring whats on their minds into existence. They both deal with the same lines, shapes and forms. And also they both deal with the same elements of nature; color, light, space and time. Besides that architecture and art have a very associated history. During baroque, rococo and renaissance works of art were highly influenced in architecture. Its almost impossible to find one church in those ages where its ceiling wasnt extravagantly painted or its windows very exceedingly sculptured. Works by Gerrit Reitvelds in the 20th century can be a very good example to show the similarities between architecture and art. His Schroder House is highly influenced by the artist Piet Mondrian from the same era. The composition of lines, the arrangement of forms and the abstraction in colors make the Schroder house look more like a huge sculpture rather t han a house or a building. All these similarities that architecture and art both share work as a strong communication system between them both and they strengthen their relationship. This collaboration is nothing but a relationship between these two disciplines. And by knowing all the similarities they have it is very likely for this relationship to be a successful one. Recently the collaborative work between architects and artist has grown successfully. This growth is very significant and it shows that architecture is developing itself. Today, architects are more able to accept the idea of integrating art with architecture than seventy years ago during the post modernism era. Respectable number of organizations has been established in the aim of having a truly integrated relation between architecture and art. In 1991 an organization called Art for Architecture was established and it was the first attempt to dismantle the wall that divides architects and artists. Art for Architecture became very successful and a lot of their projects became award-winners. In 2003, the Laban dance centre in Deptford, London, designed by architects Herzog de Meuron and artist Michael Craig Martin, won the Stirling Prize. Former artist Edi Rama was voted World Mayor in 2004 for transforming Tiranas buildings into art pieces that decorate the entire streets of the city. After all the trouble the Albanian capital was having, Rama decided to re-paint the citys buildings in a riotous array of pattern and color. That act did not only change the entire architecture of the city, but it also brought social transformation. The architecture of Tirana now has become public art that attracts a lot of artists and inspires them such as Olafur Eliasson, Liam Gillick and Dominique Gonzalez-Foerster whose work has become integrated in residential blocks and buildings and turned them into unique works of art. Working with artists acts as an eye-opener to the architects. It helps them to sharpen their thoughts and make them consider their position. Artists do not collaborate with architecture by simply designing a sculpture that can be placed at the entrance of a building or by a painting for the living room. Their involvement can be too fundamental and essential and be a part of the design of the building itself. Bruce McLean, the forerunner of a new generation of artists, with architect John Lyall designed the concourse and underground station at Tottenham Hale, London. McLean was so deeply involved in the project that he helped to come up with the concept. I want to be involved at the outset and not just as an add-on. explained McLean. At Tottenham Hale concourse, McLean and Lyall designed three separate pieces: a 16m-high lit beacon (the Tower of Time), a fountain (the Bridge of Signs) and paving (the Path of People). The idea was to give the people something fun to look at while waiti ng for buses or trains. Lyall saw this project to be a very successful collaboration between art and architecture. The way I feel about the best collaborations is that we start with a bank sheet of paper and work together in free form and what results is something which neither would have thought of separately. I like artists because they have a different eye and way of thinking he explained. McLean is now designing a new foreshore in Bridlington with architect Rayner Banham. The Collaboration between architects and artist does not have to be only for the purpose of making nice looking buildings. Architects Faulks Perry Culley and Rech and artist Martin Richman came up with a great environmental idea to produce electricity! They designed the new incinerator at Tyseley, Birmingham, which burns the waste of households and use the heat produced to generate electricity. Richmans involvement in the project caused a lot of fundamental changes in the architectural side of the project. He replaced the yellow cladding with red ones and he also used the light as an essential factor in the building. Martin introduced the idea of red to highlight the function of the building and its heat so we changed the yellow cladding to red. He also introduced areas of translucent and transparent cladding to show the internal lighting. Says Perry. After his success of collaborating with architects Pelly and Rech, Richman is now working on two other architectural projects. All the previous projects along with many other ones are living proofs that the collaboration and interrogation between architecture and art not only can actually happen, but when it does it results with a huge satisfaction to the architects, artist and also the public. Architect Perry confirmed that the people of Birmingham were very pleased with the outcome of his design with Richman. I havent heard anything from anywhere which is negative. Its all been favorable. And thats something of a first because we architects are used to getting kicked. Explains Perry. Therefore this collaboration promises us with more modern, developed architecture that can communicate with public and be understandable in a better way. It is often argued that art and architecture are totally incapable of meeting each other, especially since architecture deals with numbers, function and mathematics whereas art deals with imaginations, feelings, inspirations and it does not have any function. Nevertheless, this very dissimilarity between architecture and art is actually the reason behind this collaboration, since collaboration is all about differences. If architecture was able to meet art by itself without any interrogations then there would have been no need for this collaboration. But the recent past of architecture taught us that architecture becomes very dull and lifeless without art. Once, Frank Lloyd Wright said Art is the mother of architecture. Even if artists and architects see architecture in different eyes their compromise can be the result of something astonishing and new that no architect or artist alone could have come up with. Architects like to build a building that is slick, fixed and suitable. Artis ts are searching for more brute, independent and confronting approach, as art should be. Towards the end of the project Antoni and I had developed a level of telepathy Explained architect Steve Tompkins about his experience with artist Antoni Malinowski after designing London Community Centre. As a result of combining art with architecture, the latter becomes more human and alive. Art gives architecture the ability to combine beauty and logic in one thing at the same time. Without it architecture will be as boring as accounting. The future of architecture today dose not only lay on the hands of architects alone anymore. It now relies on architects and artists. It is their tasks both to promote architecture to a new level where architecture becomes more meaningful. The future of architecture relies on combining the conceptual approach of artists and the contextual approach of architects. With these two approaches architecture in the next few decades will be starting a new phase where function and art will finally come back together again after more than 70 years of separation.

Avalanches :: essays research papers

Avalanche Testing and Safety White soft fluffy snow, hard to imagine something so innocent could be so destructive. Just picture a few tons of snow traveling down the mountain at approximately 80 miles per hour, taking down everything in its path. Avalanches have been a threat as long as there has been snow and mountains. Since I’m an avid backcountry skier it is important to learn about these life threatening snow masses. So in order to protect yourself from anything you must first learn how it works. First off there is three main components to an avalanche, without them you can’t have an avalanche. They go as follows: 1) snow 2) slope 3) snow instability. Secondly, there are two kinds of avalanches; slab and loose snow. Loose snow are minor and usually never exceed 20 miles per hour. While slab avalanches are the destructive and deadly mountain slides. It is not uncommon for one of these to destroy a small town or forest. Since loose snow avalanches aren’t very dangerous, I will discuss slab avalanches. The fundamentals of how these snow masses occur, what to look for when testing and just all-together prevention. The basic chemistry behind a slab avalanche is when one layer of snow does not bond to the layer below it. Any kind of temperature change, fresh snowfall, the weight of a person, all can cause the slab to break free from the lower layer. The formation of a slab is possible in many ways. One way is for the snow to develop a crust and then there be more snowfall. Since snow doesn’t bond to the crust it becomes a potential for an avalanche zone. Another way is for surface hoar to develop, or large ice crystal on the snow. This is usually caused by condensation on the snow surface. This will also have poor bonding characteristics, and cause for a potential slide. The crystal itself is also very stable and will stay in that formation until melted usually. Slab avalanches usually only occur between 35-45 degree slopes and on a concave slope. There are ways possible to test for an avalanche zone. These tests have been developed over the years by ski patrollers, avalanche safety, and seasoned mountaineers. Make sure whenever performing an avalanche test you are not in an area where you could possibly trigger or be in the path of an avalanche. The most common test to use is the shear test.

Marilyn Monroe Essay -- Biography, Monroe

Marilyn Monroe is an iconic sex symbol who will never be forgotten. â€Å"She dominated the age of movie stars to become, without question, the most famous woman of the 20th Century† (â€Å"Marilyn Monroe,† 2006). She is known for her movies and for her promiscuous love life, but little is known about her emotional turmoil. She was born Norma Jeane Mortenson (later baptized as Norma Jeane Baker) on June 1, 1926, in Los Angeles, California (â€Å"Marilyn Monroe Biography,† 2010). She was born to a mother who had severe psychiatric problems and had an unknown father. Her mother was institutionalized for her psychiatric problems and Marilyn was put in foster care (â€Å"Marilyn Monroe Biography,† 2010). She bounced around in foster homes until age 16 when she married her first husband Jimmy Doughtery (â€Å"Marilyn Monroe,† 2006). She was looking for a stable relationship, one which she never had growing up (â€Å"Marilyn Monroe: The Case Revi ewed,† 2009). The rest of her life she seemed to bounce around, from many quick marriages, to always looking for something different with her career. She did not seem to have balance or stability in her life, which lead to her early death of overdose when she was 36 years old (â€Å"Marilyn Monroe Biography,† 2010). Marilyn Monroe’s life can be analyzed very well from a psychodynamic perspective based on her childhood and how she acted as an adult. â€Å"Psychodynamic theorists believe that a person’s behavior, whether normal or abnormal, is determined largely by underlying psychological forces of which he or she is not consciously aware† (Comer p. 37). These forces then conflict with each other internally and cause problems in the individual. Psychodynamic theorists argue that â€Å"psychological conflicts are tied to ear... ...ents and feelings† (Comer p. 206). This would be good for Marilyn, she could talk about her stresses of work, her failed marriages and relationships, and most importantly she could talk about her childhood and her feelings of loss and abandonment. If she could have discussed the loss of her mother, she may have been happier and able to move on. She would have also been able to get rid of the feeling that people are always going to leave. She may have been able to have healthy relationships with people. It is a long term approach, and many have a hard time staying with the treatment, but if she were able to stick with it she would have received relief from the depression and anxiety. If Marilyn would have undergone therapy, it may have saved her life. There are always what ifs, but if she would have been able to seek help she may still be living today.

Technological Improvements and Their Impact in America Essay -- essays

Improvements in agriculture, transportation, and communication between 1790 and 1860 were the stepping stones for a greater America. From the cotton gin, to the steamboat, to the telegraph, new innovations were appearing all over. America had finally begun to spread its wings and fly. Due to the fact that cotton had to be separated by hand, it was costly commodity. One person could barely separate a pound by hand over the course of a day. It was not until 1793, when Eli Whitney invented the cotton gin that production of cotton soared. A worker on a plantation could now produce fifty pounds of cotton a day, instead of just one. With the increase in cotton production, came the increase in slave labor, which was used to harvest the cotton crop, making each slave an increasingly valuable asset. Westward migration was also seen as cotton spread throughout western land like a wildfire. Almost immediately, cotton was transformed into a major export. ?Cotton exports averaged about $9 million annually from 1803 to 1807, about 22 percent of the value of all exports, from 1815 to 1819, they averaged over $23 million, or 39 percent of the total, and from the mid-1830s to 1860, they accounted for more than half the value of all exports in the nation.? (Tindall and Shi, 418) Eli?s invention inspired other people to attempt to make their own farming tools. ?The development of effective iron plows greatly eased the backbreaking job of tilling the soil.? (Tindall, 419) In 1819, Jethro Wood improved the iron plow by using separate replaceable parts. Improvements thereafter included John Deere?s steel plow (1837) and the chilled-iron steel plow of John Oliver (1855). In 1831, a primitive grain reaper was invented by Cyrus McCormi... ...l Morse?s 1832 invention. It is quite possible that more social changes were triggered by the telegraph, than from any other invention. Before the telegraph, communications were delivered by boat, train, horseback, or hand. Now, news and messages could be received immediately. Together, the improvements in agriculture, transportation, and communication changed the ways of economic, social, and political life. By the 1850s, farming had become a leading commercial activity. The standard of living for many farm families also improved. ?Undeveloped land dotted with scattered farms, primitive roads, and modest local markets was transformed into an engine of capitalist expansion, audacious investment, and global reach.? (Tindall, 432) Tindall, George Brown and David E. Shi. America: A Narrative History. Vol. One. 7th ed. New York: W W Norton & Company, 2007.

Bread Baking an American Pasttime

Baking bread at home can be both fun and rewarding. There is no better way to create a wholesome and welcoming atmosphere than by baking a fresh loaf of milk bread or having guest walk into a room that smells of cooling banana bread. Although bread making has been a part of American culture for centuries today’s fast paced lifestyles has all but eliminated the art of making breads at home. However, it only takes a little flour and some kitchen know-how to revive this tradition for domestic excellence. There are two main types of breads, yeast breads and quick breads.Yeast breads are the airy, light and fluffy breads that are used for sandwiches and dinner rolls. Quick breads generally have fruit or nuts in them and have a denser composition. One of the easiest and most rewarding types of yeast bread is milk bread. Milk bread is a great place for the novice bread maker to start. It is easy and only requires milk, flour, salt, sugar and yeast, (All Recipes, n. d. ). In addition to the simple ingredients as the baker gains experience variations on this recipe can be made to include various cheeses, herbs or grains.Another type of yeast bread that has become a staple in kitchens across America is a simple country French bread. This bread is often long and crusty and it goes great with soups or dishes with heavy sauces. Country French bread takes more time than milk bread but by using recipes similar to the one listed on www. breadworld. com, bread makers both professionals and beginners can produce the flaky classic. Other types of breads that can be made at home include quick breads.These breads are called quick breads because they do not require the time that yeast breads need to rise. Common quick breads include banana bread, apple date bread or sour dough. Find amateur recipes for these breads at www. thejoykitchen. com. References All Recipes (n. d. ). Milk Bread. Retrieved April 6, 2009, from www. allrecipes. com Fleischman’s Rapid Rise Yeast (n . d. ). Country French Bread. Retrieved April 6, 2009, from www. breadworld. com The Joy of Cooking Cookbook (n. d. ). Quick Breads. Retrieved April 06, 2009, from www. thejoykitchen. com